The LeRoy Neiman Center for Print Studies & Gallery

Time and Transformation in the Prints of Ernesto Caivano, Lee Friedlander, Ulrike Johannsen, Shirin Neshat and Kiki Smith. Curated by Katherine Blackburne.

Alumni Nathan Catlin '12 invited LeRoy Neiman Fellows from 2020 and 2021 to select LNCPS editioned works that influenced them and exhibit their work adjacent to their selection.

In honor of the centenary year of American artist LeRoy Neiman, this exhibition brings together works on paper from the LeRoy Neiman and Janet Byrne Foundation and the LeRoy Neiman Center for Print Studies which showcase the artist's range of imagery as well as his extraordinary draftsmanship.

Conceived the week of the COVID-19 lockdowns in March 2020, this online exhibition brings together the work of 15 artists who were united in the experience of physical or emotional distance, in grief, and in the recognition of the injustices laid bare by the pandemic.

Michael Joo collaborated with the staff and students at the Neiman Center in 2016 to realize, 7 Sins, a groundbreaking series of silvered screenprints. Joo’s experimental approach to making work aligned precisely with the Center’s mission to provide visiting artists with the technical and creative support they need to investigate and push the boundaries of traditional printmaking.

The LeRoy Neiman Center for Print Studies has collaborated on editions with several artists who have reconfigured traditional notions of the human body as a means of exploring myth, identity, cultural taboos and personal narratives in images that range from the sublime to the grotesque.

The eighth installation in a series of exhibitions organized by Rirkrit Tiravanija and Tomas Vu, Visual Arts.

m.i.o.k is an exhibition featuring the work of seven contemporary artists. It reflects on the absurdity of being. Each artist, in their own way, challenges the ‘socially appropriate’ norms and constructs.

Curated by Roni Aviv.

LOVE 2020: Perfect Vision is the third biennial LOVE exhibition at Columbia University’s LeRoy Neiman Gallery. This series of exhibitions takes the form of a lively conversation between artists across generations, mediums, backgrounds, and contexts—all responding to the question: what does LOVE look like to you right now?

Curated by Rachel Stern.

An exhibition of selected work by senior undergraduate majors in Visual Arts. Organized by Tomas Vu and Emily Henretta.

Featuring the work of Undergraduate Visual Arts Students: Amanda Ba, Roland Chen, Omar Curiel, Kea De Buretel, Renata Del Riego, Carola Dixon, Alyssa Gengos, Clara Hirsch, Annie Im, Diane Kim, Dahee Kwon, Rony Moon, Fiona Noring, Isabella Norris, Isaac Padgett, Michelle Shin, Danielle Gott, and Ara Hao.

French Conceptual artist in permanent residency at the United Nations, Yann Toma, creates immersive environments using photographs, drawings, elements of performance and video projection to contemplate the effects of climate change on both a human and global scale. Inspired by the concept of Capitalocene – the idea that the global crises of our time are rooted in the Age of Capital – Toma believes in a politics of hope that signal the possibilities for transcending capitalism. The Neiman Gallery is transformed by Toma into a place of reflection on the current climate crisis.

Exhibition organized by Josephine Rodgers, Independent Curator

New Codes to Follow: Prints by Gordon House, 1961-1986 considers the career of Gordon House (1932–2004) through a focused survey of the artist’s screenprints, etchings, and lithographs. Breaking boundaries between typography and fine art compelled House to collaborate with artists—including Peter Blake and Richard Hamilton—when designing album covers for the Beatles.

Curated by Kalia Brooks Nelson, Adjunct Professor with IRAAS in the African American and African Diaspora Studies Program.

This exhibition is designed to commemorate the 400-year anniversary of the first documented arrival of Africans landing at the Jamestown settlement in 1619.

Curated by Sally Eaves Hughes.
Curatorial Advisor: Kellie Jones, Art History and Archaeology.

A solo exhibition of South African artist Mary Sibande (b. 1982, Barberton, South Africa). In her installations, photographs, and sculptures, Sibande explores the intersection of identity, history, and memory in South Africa. Sibande employs the body as a site of memory, where history is contested and fantasies are played out. For her first solo exhibition in New York, the artist presents six works from two series, Long Live the Dead Queen (2007–2011) and The Purple Shall Govern (2013–present). Sibande is the 2018-2019 Virginia C. Gildersleeve Professor at Barnard College.