This show is also indebted to a sense of place. In August 2021, the artist went to a New Mexican clay quarry “to harvest wild clay for the first time.” She did so with only her hands. In this manner, she filled a trunk with hundreds of pounds of clay. Then, “she set up her drone camera, descended into the pond of clay at the base of the mine, and developed a set of performative gestures relating to the place.”
One cannot escape the sense of the void when examining Ruais’s work. Each sculpture bears at its center an incontrovertible hole. This speaks to our experience of self — while everything emanates from our body’s center we are also often opaque to ourselves, and this show does not shy away from that difficulty.