The focus on marine biogenic calcification has been a throughline in Gad’s sculptures, and over the course of 2024, “as part of an ongoing partnership with Billion Oyster Project, Gad will create sculptures that extend from the organisation’s underwater metal gabion frameworks that are used to rehabilitate oyster growth.” As such, the forthcoming works, as well as Shoals, “present a tactile response to the climate crisis.”
On October 1, from 1-3 pm, the multimedia performance entitled Oyster As Eyes will extend Gad’s “exploration of lime across various dimensions,” ranging from the geological to the art historical, and will include sound composed and performed by New York City artist Will Epstein.
This project was supported, in part, by the Consulate General of Sweden in New York and a Foundation for Contemporary Arts Emergency Grant.
Linnéa Gad is a visual artist from Stockholm, Sweden. She currently collaborates with limestone, oysters, cardboard, bark, and other shell materials that she happens upon. Her work extends across sculpture, printmaking, and installation to create unexpected conversations that awaken empathy for the ongoing vibrant “lives” of these materials. Gad’s approach to the climate crisis is to make tactile responses, as a counterpoint to the theoretical and abstract visualizations of this global issue.