Creative Producing MFA Curriculum

Curriculum subject to change.

The first year of the MFA Film Program at Columbia is devoted to the Core Curriculum – an integrated group of classes in which all MFA students learn the fundamental components of Directing, Screenwriting and Producing.

First Year Core Curriculum—Fall

Directing I
Directing Actors I
Fundamentals of Directing
Elements of Dramatic Narrative
Ethics & Inclusive Storytelling
Practical Production I
Screenwriting I

First Year Core Curriculum—Spring

Directing II
Directing Actors II
Practical Production II
Role of the Producer
Screenwriting II
Script to Screen
Analysis of Film Language (recommended)

First Year Core Curriculum—Summer

8-12 minute film production

History-Theory-Criticism (HTC) Requirement

All MFA students must take at least one course in Film Studies (generally referred to within the School as “HTC,” an abbreviation for History-Theory-Criticism) within the 60 credits required for the degree. Students  planning to apply for teaching assistant positions should take more than one HTC course.

A representative list of HTC courses includes but is not limited to the following. The asterisked courses are specifically recommended for MFA students but any of these courses fulfills the HTC requirement.

Analysis of Film Language**
Cinema History 1: beginnings to 1930
Cinema History 2: 1930 - 60
Cinema History 3: 1960 - 90
Cinema History 4: after 1990
Cinephilia: Theory and Practice of the Moving Image
Documentary Tradition
Film and Media Theory
The Moving Image in the Museum
Seeing Narrative
Sound and Image Theory
Topics in American Film (Horror, Comedy, Cult, Western, etc)
Topics in World Cinema (Latin America, China, Arab and African)**

In the Second Year of the MFA Program, Creative Producers and students in the Screenwriting and Directing concentrations take required courses and supplement these courses with a wide range of electives.

Creative Producers—Second Year Required Courses

The Business of Film
Feature Film Development
Feature Film Financing
Post-Production Supervising
Pre-Production of the Motion Picture
Writing and Script Analysis for Producers

Creative Producers—Second Year Elective Classes

The Business of Television
Digital Storytelling I: History and Theory of Interactivity
Digital Storytelling II: Building Storyworlds
Digital Storytelling IV: World-Building
Documentary Producing
Entertainment Law
Film Festivals: Theory & Practice
First Features
Visual Experiences
Writing for the Screen

Second Year Core Curriculum—Summer

D4 film production – a more ambitious short film, directed by a member of the Directing 4 class

After completion of concentration requirements and 60 credits in the first two years of study, the third year and beyond is devoted to thesis work and to special classes contributing to the completion of the thesis. There are also several advanced non-credit workshops that are open exclusively to students in their thesis years.

Creative Producers—Third Year Required Class

Producing Thesis Advisement

Creative Producers—Third Year Elective Classes

Digital Storytelling 3: Immersive Production
How to Start Your Own Production Company
Writing for the Screen – Research Arts