News
Flux, a debut novel by alumnus Jinwoo Chong ’21, is out now from Melville House.
Francisca Alegria ’16 is one of eight participants selected by the Sundance Institute for the fifth annual Momentum Fellowship, a program designed to support mid-career artists with a focus on career development during a pivotal moment in their creative practice.
Chariot, a fourth collection of poetry from Writing Professor Timothy Donnelly, is coming this spring from Wave Books.
Former Adjunct Assistant Professor Cynthia Cruz has won the National Books Critics Circle Award in Poetry for Hotel Oblivion (Four Way Books, 2022).
Zayd Ayers Dohrn discusses his family’s radical legacy with Jamal Joseph and Carol Becker.
Upon entering the studio of Visual Arts alumna Ann Gillen ’69, one is immediately amazed by the aura of creative energy suffusing the space.
Wonderland, an exhibition devoted to Visual Arts Mentor Valerie Hammond and Lothar Osterburg’s discourse on the natural world and imaginary cities, is on view until April 8, 2023 at Planthouse Gallery.
Associate Professor Shane McCrae has been awarded the Arthur Rense Poetry Prize, a prestigious accolade from the Academy of Arts and Letters, which annually awards $20,000 to an exceptional poet.
Anocha Suwichakornpong is now a professor at School of the Arts, where she earned her MFA in film.
A film with a radically different approach, this body is so impermanent… isn’t trying to move its audience anywhere. Rather it is an invitation to stay, to contemplate, to experience.
Theatre Management and Producing alumnus Ryan Bogner ’15 is the lead producer on The Cottage, which will premiere on Broadway this summer.
Film alumnus Brian McAuley ‘13 has written a horror novel titled Curse of the Reaper, which was featured on Esquire’s list of Best Horror Books of 2022.
Until April 1, 2023, nine pieces by Visual Arts alumna Annette Hur ’19 are on view at Hesse Flatow gallery in New York City.
Film alumna Chantel Clark ’18 has been chosen to participate in the AuthenticA Series Lab, a training program for African episodic screenwriters hosted by Realness Institute, the African non-profit filmmaking organization.
In his new book, Brian Kulick looks to everyone from Euripides to Ibsen for the answer.