5:30pm - 8:40pm
This class tends to fill early, but spots can open up as students' plans change. Interested students who cannot register because the course is at capacity should visit Student Services Online (SSOL) regularly to check for new availabilities.
Thisc ourse is only offered during summer.
How does a traveler become a travel writer? What makes good travel writing? Why does it matter today? This course examines and breaks down the very specific craft of travel writing.
Travel writing is narrative nonfiction, with an emphasis on setting. Concrete detail, evocative writing, character development and a solid narrative arc are all essential. This class will talk about outlining, writing in blocks, withholding, revealing and chronology. Weekly assignments will cover dialog, digression, modifiers, POV, active verbs, pacing, research, voice and present action. We will learn about ledes, nut grafs, cliffhangers and kickers while avoiding cliche, nostalgia, blocking, overwriting and the many traps mainstream travel writers fall into today.
This class uses action writing and on-location exercises to help create unique and compelling description. We will read and analyze classic travel writing—from Mary McCarthy to Holiday Magazine to John McPhee, then explore local neighborhoods and create winning story pitches to send to editors. The final project is a complete travel story, ready for publication.
Great travel stories don't tell a reader how amazing a place is. They reveal what it is like to be there. The lessons, exercises, readings and final project in this class show students how to do just that.
All courses subject to change.
TUITION & FEES
Current Columbia students can review tuition and fees here.
Visiting students can review tuition and fees here.