Phillip Lopate

Phillip Lopate
Professor and Nonfiction Director
415 Dodge Hall
Phillip Lopate was born in Brooklyn, New York in 1943, and received a BA from Columbia in 1964, and a doctorate from the Union Graduate School in 1979. He has written three personal essay collections — Bachelorhood (Little, Brown, 1981), Against Joie de Vivre (Poseidon-Simon & Schuster, 1989), and Portrait of My Body (Doubleday-Anchor, 1996); two novels, Confessions of Summer (Doubleday, 1979) and The Rug Merchant (Viking, 1987) and a pair of novellas (Two Marriages, Other Press, 2008); three poetry collections, The Eyes Don’t Always Want to Stay Open (Sun Press, 1972), The Daily Round (Sun Press, 1976) and At the End of the Day (Marsh Hawk Press, 2010); a memoir of his teaching experiences, Being With Children (Doubleday, 1975); a collection of his movie criticism, Totally Tenderly Tragically (Doubleday-Anchor, 1998); an urbanist meditation, Waterfront: A Journey Around Manhattan (Crown, 2004); a critical study, Notes On Sontag (Princeton University Press, 2009) and a biographical monograph, Rudy Burckhardt: Photographer and Filmmaker (Harry N. Abrams, 2004.) In addition, there is a Phillip Lopate reader, Getting Personal: Selected Writings (Basic Books, 2003). His two most recent publications are Portrait Inside My Head (personal essays) and To Show and to Tell: the Craft of Literary Nonfiction, which were both released in March 2013 from The Free Press/Simon & Schuster. He has edited the following anthologies: The Art of the Personal Essay (Doubleday-Anchor, 1994); Writing New York (Library of America, 1998), Journey of a Living Experiment (Virgil Press, 1979), a best essays of the year series, The Anchor Essay Annual (1997-99), and American Movie Critics (Library of America, 2006). His essays, fiction, poetry, film and architectural criticism have appeared in The Best American Short Stories (1974), The Best American Essays (1987), several Pushcart Prize annuals, The Paris Review, Harper’s, Vogue, Esquire, Film Comment, Threepenny Review, Double Take, New York Times, Harvard Educational Review, Preservation, Cite, 7 Days, Metropolis, Conde Nast Traveler, and many other periodicals and anthologies. He has been awarded a John Simon Guggenheim Fellowship, a New York Public Library Center for Scholars and Writers Fellowship, two National Endowment for the Arts grants, and two New York Foundation for the Arts grants. He received a Christopher medal for Being With Children, a Texas Institute of Letters award in the best non-fiction book of the year category for Bachelorhood , and was a finalist for the PEN best essay book of the year award for Portrait of My Body. His anthology, Writing New York, received a citation from the New York Society Library and honorable mention from the Municipal Art Society’s Brendan Gill Award. After working with children for twelve years as a writer in the schools, he taught creative writing and literature at Fordham, Cooper Union, University of Houston, Hofstra University, New York University and Bennington College. He is the director of the nonfiction concentration in the graduate Writing Program at Columbia University School of the Arts, where he also teaches writing.
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At the End of the Day: Selected Poems and an Introductory Essay / Anyone eager for the performance of an adult, rich and animated intelligence will be grateful for Phillip Lopate’s display....

Notes on Sontag / One of CHOICE Magazine's Outstanding Academic Titles....

American Academy of Arts & Sciences / Lopate was inducted as a fellow....
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Columbia University School of the Arts offers MFA degrees in Film, Theatre, Visual Arts, and Writing, an MA degree in Film Studies, a joint JD/MFA degree in Theatre Management & Producing, a PhD degree in Theatre History, Literature, and Theory, and an interdisciplinary program in Sound Arts.