Since the early 1970s, Allan Sekula’s (Erie, Pennsylvania 1951) works with photographic sequences, written texts, slide shows and sound recordings have traveled a path close to cinema, sometimes referring to specific films. However, with the exception of a few video works from the early 70s and early 80s, he has stayed away from the moving image. This changed in 2001, with the first work that Sekula was willing to call a film, Tsukiji, a “city symphony” set in Tokyo’s giant fish market. Sekula’s books include Photography against the Grain (1984), Fish Story (1995), Dismal Science (1999), Performance under Working Conditions (2003), Titanic’s Wake (2003), and Polonia and Other Fables (2009). These works range from the theory and history of photography to studies of family life in the grip of the military industrial complex, and in Fish Story, to explorations of the world maritime economy.